90% of producers I talk to get way too excited telling me they’ve spent 40-50 hours on a track. It’s like they expect me to be impressed or something, but honestly, the track often still sounds kinda off. Spending more time doesn’t always mean better results.
When you’re constantly around other producers who do the same thing, it’s easy to get stuck in that mindset. You end up thinking more time equals better quality, so you start overworking your own tracks. Hours of tweaking, layering, and adjusting, hoping it’ll magically make everything click.
But here’s the thing—it doesn’t have to be that hard. You can finish a track by version 3 or 4 if you’re focusing on the right stuff. It’s not about the amount of time you spend; it’s about what you focus on.
So, let me break down the three key areas you need to dial in to stop overworking your music and actually get your tracks done.
1. Focus on Composition, Not Sound Design
This is where a lot of people get stuck. They dive straight into sound design, tweaking pads, basslines, and leads, trying to make everything sound perfect. But here’s the reality: none of that matters if your track doesn’t have emotion or vibe. No amount of cool sound design is going to fix a weak composition.
I challenge my students to impress me with just 7 channels.
Instead of getting lost in sound design, start with the fundamentals. Does your melody hit? How’s the chord progression? Does the track have a clear structure? If you nail these things early on, the rest becomes so much easier. You don’t need five perfectly crafted synth layers if your composition is strong.
That’s why I challenge my students to impress me with just 7 channels. It forces them to be creative with less and really focus on the core elements of the track. You’d be surprised how much you can do when you stop overloading the mix with unnecessary layers and focus on getting the essentials right. Less is more.
2. Get the Flow Right Without Leaning on FX
The next big trap a lot of producers fall into is relying too much on effects to make their track “flow.” You know, the crashes, cymbals, swells, and white noise—all that extra stuff. Sure, they can help smooth out transitions, but it’s a crutch. If your track doesn’t flow naturally without all that, there’s a problem.
Trust me, it’s way too easy to cover up weak transitions with effects.
I see it all the time—producers throwing in a ton of effects just to mask bad transitions. The real challenge is making your track flow naturally with only the sounds you’ve already got. Can you get from the verse to the drop, or from the breakdown to the chorus, without throwing in a crash or riser to “fix” it?
If you can nail the flow with just the core elements of your track, then you’ve already solved two problems: composition and flow. Once that’s done, you can add a little flair with FX if you want, but you won’t need them as a crutch anymore. The result will be a smoother, cleaner track that feels cohesive from start to finish.
3. Know What to Listen For
Here’s a tip that’ll save you a ton of time: stop listening to your track on repeat. Seriously, listen to it once—maybe twice. Don’t sit there and loop it 15 times trying to figure out every little thing. That’s how you end up overworking it and getting frustrated.
When you’re working on 15-20 tracks a week...
This becomes even more important as you level up. If you’re working on multiple tracks a week, whether it’s your own stuff or client work, you don’t have time to overanalyze. What I recommend is this: listen to the track once, take notes on what’s not working, make your changes, and then step away for a day or two.
When you come back with fresh ears, listen again and repeat the process. This way, you’re not stuck in a cycle of over-listening and over-tweaking. You’ll start making clearer decisions, and your tracks will come together much faster. Trust me, this is a game-changer once you’ve got more projects on your plate.
There’s Always a Million Things to Focus On
Look, I get it. Production is overwhelming. There are a million things to focus on: sound design, arrangement, mixing, mastering… the list goes on. But no matter how complicated it seems, you always need to come back to these three core areas: composition, track flow, and knowing what to listen for.
If you can nail these, the rest will follow.
The rest is just details. So, focus on your composition first—make sure the track is built on a solid foundation. Then, make sure it flows naturally without relying on tons of FX. And finally, learn to listen properly without getting caught up in endless tweaking.
Take it one step at a time, stay consistent, and stop overthinking. Your tracks will come together faster, and they’ll sound way better too. Let me know if this resonates with you—I’d love to hear how you’re approaching your production process!